My new fave. GIFed up Banksy.
With 5 others to discover – go to it.
My new fave. GIFed up Banksy.
With 5 others to discover – go to it.
The sun is out, the city is warming up, and all it does is remind me of springtime in Paris. And with a high unlikelihood of Paris and I reuniting this spring, another escape is much needed.
Enter, in perfect time, Joshua Jensen-Nagle.
The uber-talented photographer’s work is currently taking over the main floor of Bau-Xi Photo, and it’s surely the quickest way to be transported to Europe without stepping foot in Pearson. On until the 17th (go, hurry) the exhibit features photos taken on Polaroid film and blown way up and out. The result is a dream-like look at beautiful locales. With classic European architecture as many of the backgrounds, the images draw you in to another place and time, offering – even if only momentarily – a break from the grind outside.
With the weekend’s bright forecast ahead of us, start planing now for a coffee at Orange Alert and a daydreaming session at Bau-Xi Photo.
Joshua Jensen-Nagle :: Bau-Xi Photo :: 324 Dundas Street West
In high school, I was a bit of a math nerd (yes, we’ve covered this before). Being a tutor, I ended up teaching myself certain concepts before getting them in class, making said classes très boring. To solve this, elaborate white-out + calculator art projects began. They went over like gangbusters. And consequently began a love of things covered in things.
Making what I’m about to show you epic in my eyes. Behold:
With the obliteration room, Japanese artist Yayoi Kusama does what could be classified as a parent’s worst nightmare: gives children a clean room and more sticky colour than they might know what to do with.
In the Gallery of Modern Art in Brisbane, a wholly white room is outfitted with locally sources furniture and decor to replicate the Australian household.
It’s crisp and clean. But not for long.
The blank canvas is meant to be, as Kusama puts it, “obliterated.” Museum visitors – and their children – were given thousands of brightly coloured sticker dots to place at will on any surface in the room. Slowly but surely, the room becomes not unlike a beautifully exploded rainbow.
As with many of Kusama’s installations, the work is disarmingly simple in its elemental composition; however, it brilliantly exploits the framework of its presentation. The white room is gradually obliterated over the course of the exhibition, the space changing measurably with the passage of time as the dots accumulate as a result of thousands and thousands of collaborators. (source)
Spanish artist Manuel Fernández is melding the social and the digital with his latest project, Two Hundred and Sixteen Colors. Asking users to select a square and a colour, each will help turn an 8-bit grid into a unique piece of art.
After submitting your name and email, the square becomes yours and yours alone. No one else can colour it, and your name even appears when hovered over. Once all 216 squares have been claimed, the canvas is complete.
It’s a simple concept, social participation, but a nice one. On the surface it shows a piece that is the culmination of a combined effort, but on a deeper level it also acts as a reminder that when we work together, we can create wonderful things. Hidden behind screens everywhere are people of different genders, colours, religions, all blind to these differences and able to work together on this piece.
It’s perhaps a bit idealistic for me to see it this way, but perhaps the world could use a little more idealism and colour.
Now, it’s time for a little Bill Murray with the gallery’s Please Post Bills exhibit. As before, artists from all around have offered up their talents and tributes, filling the gallery with love for the legendary comedian.
And if you’re (still) too far away to visit the gallery, the work is available for viewing and buying online. Long live Bill.
It seemed like the better part of Toronto was clamoring to get into 99 Sudbury on a rainy Friday the 13th. But with no fashion week or free liquor promo in sight, what were they all so excited about? Art. Great big, beautiful art. And it certainly deserved the clamor.
Bryan Espiritu presented his first solo exhibit, Because the Kids Don’t Play. Based on the loss of childhood innocence, the pieces display classic Disney characters re-drawn to reflect the feelings in the accompanying poem:
Because The Kids Don’t Play
Because the kids don’t play,
We’ll bomb the slide.
No knees that bleed,
Nor heart inside.
Because the kids don’t laugh,
We’ll hold the joke,
With a loop & rope.
Because the kids don’t love,
We’ll let them fuck.
And show them what is
Because the kids don’t fly,
We’ll make them sink.
Their growth ignored,
Explored to shrink.
Because the kids don’t live,
We’ll let it die.
Our joy destroyed by foolish pride.
Our souls devoid of a need to cry;
Of love & such,
– Bryan Espiritu
The pieces were incredibly well made, each with an explosion of colour reminiscent of the characters we grew up with, but with new features, angles, or focus. Their stories were as individual as the characters represented.
A wall of smaller pieces had completely sold out by the time we arrived. Twenty one pieces. Doors had only been open 30 minutes. And there they were, all sold. The bigger pieces remained, but not for long, as they too would soon accessorize their name plates with little red stickers. One piece will even be making its way to our home soon. You can spot it in the video at 0:47 and in the photo below.
But what may have been most striking about the whole night, was the undeniable sense of pride felt by all who attended. Pride from the artist for the work, of course. But pride from the crowd for the fact that this level of talent was found here, within our city. Often we look so far out to seek the best, that we forget talent lives close to home too. And this feeling didn’t go unnoticed, as Espiritu himself notes the incredible support he felt all night.
For those who couldn’t make it out, you can thank Espiritu’s team for the great video recap below. Enjoy.
In the world of art, everyone is on the lookout for a newest, most original thing. Throw in a tinge of modern or performance art and you’re likely to end up with something exceptionally imaginative.
SCOPE is clearly supportive of this kind of out of the box thinking:
SCOPE is the largest and most global art fair in the world featuring emerging contemporary art with 7 markets worldwide. It is our goal and passion to present the most innovative galleries, artists and curators while networking them with our Patrons through a unique program of solo and thematic group shows presented alongside museum-quality exhibitions, collector tours, screenings, and special events.
but maybe most interesting, is an in-the-box exhibit they are currently featuring: Come On Guy.
Come On Guy is a party within a party. A centrally placed cube will contain an actual, traditional frat party where the brothers will drink from a keg and party “greek style”. Outside the enclosure, the usual opening party will be taking place replete with evening attire, champagne and art world conversation. Party goers will be able to interact with the frat party via text, purchasing items of clothing, accessories, and receiving messages and files created by the brothers.
Yes, you read that correctly – they’ve put a frat party in a box for all to witness firsthand. Curious to see what it looks like? No problem. As with any good frat party, there’s loads of compromising photo and video.
Images: Refinery 29